Yes, you can work on PS layers to achieve something like this but it is a great feature in the plugin. Silver Efex also has U Point which is a very good way to work on specific points in an image. One important thing I forgot to add here. I'm always looking for a better or more sophisticated BW conversion app, so let's keep the experiences and Shulman himself was blownĪway by the quality and fidelity of the prints. On archival pigment prints made on fiber paper, all scanned negatives printed digitally. Institute to produce his last e big xhibit (LA Library exhibit in 2007) Julius himself was persuaded by the Getty Research STUNNING and indistinguishable from chemical printing. The cost factor is over 300% difference! You can get digital fiber prints now that are Printed but then I realized that most pro printing involves scans nowadays, unless you pay an arm-and-a-leg for For a while I had switched to film because I liked it better I like my BW with a slight warm tone and lots of DR. I used Yosemite in a candid portrait of famed photographer Julius Shulman, who actually bought the portraitįrom me and has been published in Taschen's 3-volume book on Shulman: It'sįantastic for landscapes with clouds and big skys, creating an amazingly convincing burn of the sky a-la AnselĪdams. Most of my pre 2007 work (done on a D70) was converted into BW using the Yosemite action ($5 to purchase). Opening 2 weeks ago most people, all artists and architects, could not immediately tell that my pieces were actually I have an exhibit up right now of 25 of my photographs out in Bristol, Rhode Island (I'm based in LA). I use the GORMAN action in CS3 (free) so far it's the best BW conversion tool I have found for the type of BW I like. I'm always looking for a better or more sophisticated BW conversion app, so let's keep the experiences and references commin' :) Shulman himself was blown away by the quality and fidelity of the prints. Julius himself was persuaded by the Getty Research Institute to produce his last e big xhibit (LA Library exhibit in 2007) The cost factor is over 300% difference! You can get digital fiber prints now that are STUNNING and indistinguishable from chemical printing. For a while I had switched to film because I liked it better printed but then I realized that most pro printing involves scans nowadays, unless you pay an arm-and-a-leg for hand/chemical printing. Some layer masking was done to increase DR and shadow detail around the Sinar camera on the left. I used Yosemite in a candid portrait of famed photographer Julius Shulman, who actually bought the portrait from me and has been published in Taschen's 3-volume book on Shulman: It's fantastic for landscapes with clouds and big skys, creating an amazingly convincing burn of the sky a-la Ansel Adams. During the opening 2 weeks ago most people, all artists and architects, could not immediately tell that my pieces were actually digital BW.
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